dismissively. 'I'm not very good at remembering the victims. But then, who is?' He fixed his bland gaze on Cleve. 'Why are you so interested in Tait? He was hanged before the war.'
'1937. He'll be well gone, eh?'
The Bishop raised a cautionary fore-finger. 'Not so,' he said. 'You see the land this prison is built upon has special properties. Bodies buried here don't rot the way they do elsewhere.' Cleve shot The Bishop an incredulous glance. 'It's true,' the fat man protested mildly, 'I have it on unimpeachable authority. Take it from me, whenever they've had to exhume a body from the plot it's always been found in almost perfect condition.' He paused to light his cigarette, and drew upon it, exhaling the smoke through his mouth with his next words. 'When the end of the world is upon us, the good men of Marylebone and Camden Town will rise up as rot and bone. But the wicked?; they'll dance to Judgement as fresh as the day they dropped. Imagine that.' This perverse notion clearly delighted him. His pudgy face puckered and dimpled with pleasure at it. 'Ah,' he mused, 'And who'll be calling who corrupt on that fine morning?'
Cleve never worked out precisely how Billy talked his way on to the gardening detail, but he managed it. Perhaps he had appealed directly to Mayflower, who'd persuaded his superiors that the boy could be trusted out in the fresh air. However he worked the manoeuvre, in the middle of the week following Cleve's discovery of the graves' whereabouts, Billy was out in the cold April morning cutting grass.
What happened that day filtered back down the grapevine around recreation time. Cleve had the story from three independent sources, none of whom had been on the spot. The accounts had a variety of colorations, but were clearly of the same species. The bare bones went as follows:
The gardening detail, made up of four men overlooked by a single prison officer, were moving around the blocks, trimming grass and weeding beds in preparation for the spring planting. Custody had been lax, apparently. It was two or three minutes before the officer even noticed that one of his charges had edged to the periphery of the party and slipped away. The alarm was raised. The officers did not have to look far, however. Tait had made no attempt to escape, or if he had he'd been stymied in his bid by a fit of some kind, which had crippled him. He was found (and here the stories parted company considerably) on a large patch of lawn beside the wall, lying on the grass. Some reports claimed he was black in the face, his body knotted up and his tongue all but bitten through; others that he was found face down, talking to the earth, weeping and cajoling. The consensus was that the boy had lost his mind.
The rumours made Cleve the centre of attention; a situation he did not relish. For the next day he was scarcely left alone; men wanting to know what it was like to share a cell with a lunatic. He had nothing to tell, he insisted. Tait had been the perfect cell-mate -quiet, undemanding and unquestionably sane. He told the same story to Mayflower when he was grilled the following day; and later, to the prison doctor. He let not a breath of Tait's interest in the graves be known, and made it his business to see The Bishop and request a similar silence of him. The man was willing to oblige only if vouchsafed the full story in due course. This Cleve promised. The Bishop, as befitted his assumed clerity, was as good as his word.
Billy was gone from the fold for two days. In the interim Mayflower disappeared from his duties as Landing Officer. No explanation was given. In his place, a man called Devlin was transferred from D Wing. His reputation went before him. He was not, it seemed, a man of rare compassion. The impression was confirmed when, the day of Billy Tait's return, Cleve was summoned into Devlin's office.
'I'm told you and Tait are close,' Devlin said. He had a face as giving as granite.
'Not really, sir.'
'I'm not going to make Mayflower's mistake, Smith. As far as I'm concerned Tait is trouble. I'm going to watch him like a hawk, and when I'm not here you're going to do it for me, understand? If he so much as crosses his eyes it's the ghost train. I'll have him out of here and into a special unit before he can fart. Do I make myself clear?'
'Paying your respects, were you?'
Billy had lost weight in the hospital; pounds his scrawny frame could scarcely afford. His shirt hung off his shoulders; his belt was on its tightest notch. The thinning more than ever emphasized his physical vulnerability; a featherweight blow would floor him, Cleve thought. But it lent his face a new, almost desperate, intensity. He seemed all eyes; and those had lost all trace of captured sunlight. Gone, too, was the pretense of vacuity, replaced with an eerie purposefulness.
'I asked a question.'
'I heard you,' Billy said. There was no sun today, but he looked at the wall anyway. 'Yes, if you must know, I was paying my respects.'
'I've been told to watch you, by Devlin. He wants you off the Landing. Transferred entirely, maybe.'
'Out?' The panicked look Billy gave Cleve was too naked to be met for more than a few seconds. 'Away from here, you mean?'
'I would think so.'
They can't!'
'Oh, they can. They call it the ghost train. One minute you're here; the next -'
'No,' the boy said, hands suddenly fists. He had begun to shake, and for a moment Cleve feared a second fit. But he seemed, by act of will, to control the tremors, and turned his look back to his cellmate. The bruises he'd received from Lowell had dulled to yellow-grey, but far from disappeared; his unshaven cheeks were dusted with pale-ginger hair. Looking at him Cleve felt an unwelcome twinge of concern. 'Tell me.' Cleve said. Tell you what?' Billy asked. 'What happened at the graves.'
'I felt dizzy. I fell over. The next thing I knew I was in hospital.'
'That's what you told them, is it?'
'It's the truth.'
'Not the way I heard it. Why don't you explain what really happened? I want you to trust me.'
'I do,' the boy said. 'But I have to keep this to myself, see. It's between me and him.'
'You and Edgar?' Cleve asked, and Billy nodded, 'A man who killed all his family but your mother?'
Billy was clearly startled that Cleve possessed this information. 'Yes,' he said, after consideration. 'Yes, he killed them all. He would have killed Mama too, if she hadn't escaped. He wanted to wipe the whole family out. So there'd be no heirs to carry the bad blood.'
'Your blood's bad, is it?'
Billy allowed himself the slenderest of smiles. 'No,' he said. 'I don't think so. Grandfather was wrong. Times have changed, haven't they?'
He is mad, Cleve thought. Lightning-swift, Billy caught the judgement.
'I'm not insane,' he said. 'You tell them that. Tell Devlin and whoever else asks. Tell them I'm a lamb.' The fierceness was back in his eyes. There was nothing lamb-like there, though Cleve forbore saying so. 'They mustn't move me out, Cleve. Not after getting so close. I've got business here. Important business.'
'With a dead man?'
'With a dead man.'
Whatever new purpose he displayed for Cleve, the shutters went up when Billy got back amongst the rest of the cons. He responded neither to the questions nor the insults bandied about; his facade of empty-eyed indifference was flawless. Cleve was impressed. The boy had a future as an actor, if he decided to forsake professional lunacy.
But the strain of concealing the new-found urgency in him rapidly began to tell. In a hollowness about the eyes, and a jitteriness in his movements; in brooding and unshakeable silences. The physical deterioration was apparent to the doctor to whom Billy continued to report; he pronounced the boy suffering from depression and acute insomnia, and prescribed sedatives to aid sleep. These pills Billy gave to Cleve, insisting he had no need of them himself. Cleve was grateful. For the first time in many months he began to sleep well, unperturbed by the tears and shouts of his fellow inmates.
By day, the relationship between he and the boy, which had always been vestigial, dwindled to mere courtesy. Cleve sensed that Billy was closing up entirely, removing himself from merely physical concerns.
It was not the first time he had witnessed such a pre-medicated withdrawal. His sister-in-law, Rosanna, had died of stomach cancer three years previous: a protracted and, until the last weeks, steady decline. Cleve had not been close to her, but perhaps that very distance had lent him a perspective on the woman's behaviour that the rest of his family had lacked. He had been startled at the systematic way she had prepared herself for death, drawing in her affections until they touched only the most vital figures in her life -her children and her priest - and exiling all others, including her husband of fourteen years.
Now he saw the same dispassion and frugality in Billy. Like a man in training to cross a waterless wasteland and too possessive of his energies to squander them in a single fruitless gesture, the boy was sinking into himself. It was eerie; Cleve became increasingly uncomfortable sharing the twelve feet by eight of the cell with Billy. It was like living with a man on Death Row.
The only consolation was the tranquillisers, which Billy readily charmed the doctor into continuing to supply. They guaranteed Cleve sleep that was restful, and, for several days at least, dreamless.
And then he dreamt the city.
Not the city first; first the desert. An empty expanse of blue-black sand, which stung the soles of his feet as he walked, and was blown up by a cool wind into his nose and eyes and hair. He had been here before, he knew. His dream-self recognized the vista of barren dunes, with neither tree nor habitation to break the monotony. But on previous visits he had come with guides (or such was his half-formed belief); now he was alone, and the clouds above his head were heavy and slate-grey, promising no sun. For what seemed hours he walked the dunes, his feet turned bloody by the sharp sand, his body, dusted by the grains, tinged blue. As exhaustion came close to defeating him, he saw ruins, and approached them.
It was no oasis. There was nothing in those empty streets of health or sustenance; no fruitful trees nor sparkling fountains. The city was a conglomeration of houses, or parts of same - sometimes entire floors, sometimes single rooms - thrown down side by side in parodies of urban order. The styles were a hopeless mish-mash - fine Georgian establishments standing beside mean tenement buildings with rooms burnt out; a house plucked from a terraced row, perfect down to the glazed dog on the window sill, back to back with a penthouse suite. All were scarred by a rough removal from their context: walls were cracked, offering sly glimpses into private interiors; staircases beetled cloudward without destination; doors flapped open and closed in the wind, letting on to nowhere.
There was life here, Cleve knew. Not just the lizards, rats and butterflies - albinoes all - that fluttered and skipped in front of him as he walked the forsaken streets - but human life. He sensed that every step he took was overlooked, though he saw no sign of human presence; not on his first visit at least.
On the second, his dream-self forsook the trudge across the wilderness and was delivered directly into the necropolis, his feet, easily tutored, following the same route as he had on his first visit. The constant wind was stronger tonight. It caught the lace curtains in this window, and a tinkling Chinese trinket hanging in that. It carried voices too; horrid and outlandish sounds that came from some distant place far beyond the city. Hearing that whirring and whittering, as of insane children, he was grateful for the streets and the rooms, for their familiarity if not for any comfort they might offer. He had no desire to step into those interiors, voices or no; did not want to discover what marked these snatches of architecture out that they should have been ripped from their roots and flung down in this whining desolation.
Yet, once he had visited the site, his sleeping mind went back there, night upon night; always walking, bloody-footed, seeing only the rats and the butterflies, and the black sand on each threshold, blowing into rooms and hallways that never changed from visit to visit; that seemed, from what he could glimpse between the curtains or through a shattered wall, to have been fixed somehow at some pivotal moment, with a meal left uneaten on a table set for three (the capon uncarved, the sauces steaming), or a shower left running in a bathroom in which the lamp perpetually swung; and in a room that might have been a lawyer's study a lap-
dog, or else a wig torn off and flung to the floor, lying discarded on a fine carpet whose intricacies were half-devoured by sand.
Only once did he see another human being in the city: and that was Billy. It happened strangely. One night - as he dreamed the streets - he half-stirred from sleep. Billy was awake, and standing in the middle of the cell, staring up at the light through the window. It was not moonlight, but the boy bathed in it as if it were. His face was turned up to the window, mouth open and eyes closed. Cleve barely had time to register the trance the boy seemed to be in before the tranquillisers drew him back into his dream. He took a fragment of reality with him however, folding the boy into his sleeping vision. When he reached the city again, there was Billy Tait: standing on the street, his face turned up to the louring clouds, his mouth open, his eyes closed.
The image lingered a moment only. The next, the boy was away, his heels kicking up black fans of sand. Cleve called after him. Billy ran on however, heedless; and, with that inexplicable foreknowledge that dreams bring, Cleve knew where the boy was going. Off to the edge of the city, where the houses petered out and the desert began. Off to meet some friend coming in on that terrible wind, perhaps. Nothing would induce him into pursuit, yet he didn't want to lose contact with the one fellow human he had seen in these destitute streets. He called Billy's name again, more loudly.
This time he felt a hand on his arm, and started up in terror to find himself being jostled awake in his cell.
'It's all right,' Billy said. 'You're dreaming.'
Cleve tried to shake the city out of his head, but for several perilous seconds the dream bled into the waking world, and looking down at the boy he saw Billy's hair lifted by a wind that did not, could not, belong in the confines of the cell. 'You're dreaming,' Billy said again. 'Wake up.'
Shuddering, Cleve sat fully up on his bunk. The city was receding - was almost gone - but before he lost sight of it entirely he felt the indisputable conviction that Billy knew what he was waking Cleve from; that they had been there together for a few, fragile moments.
'You know, don't you?' he accused the pallid face at his side.
The boy looked bewildered. 'What are you talking about?'
Cleve shook his head. The suspicion became more incredible with each step he took from sleep. Even so, when he looked down at Billy's bony hand, which still clung to his arm, he half-expected to see flecks of that obsidian grit beneath his finger-nails. There was only dirt.
The doubts lingered however, long after reason should have bullied them into surrender. Cleve found himself watching the boy more closely from that night on, waiting for some slip of tongue or eye which would reveal the nature of his game. Such scrutiny was a lost cause. The last traces of accessibility disappeared after that night; the boy became - like Rosanna - an indecipherable book, letting no clue as to the nature of his secret world out from beneath his lids. As to the dream - it was not even mentioned again. The only roundabout allusion to that night was Billy's redoubled insistence that Cleve continue to take the sedatives.
'You need your sleep,' he said after coming back from the Infirmary with a further supply. 'Take them.'
